Cinematiq
A digital lab service providing cost effective DCP solutions to the independent film community.
Aaron Owen
Co-Founder, Cinematiq
Latest Posts
Captioning for Cinema
Theaters are striving to become more accessible to everyone. This means that filmmakers will often be required to provide caption files for…
Things to Consider Before Making a DCP: Quality Control
You’ve spent untold amount of dollars & hours in pre-production and on-set getting the story right and crafting the performances. In…
Things to Consider Before Making a DCP: Accessibility
The Digital Cinema Package (DCP) format used in cinemas contains a bunch of features that can help make your film accessible. These…
Things to Consider Before Making a DCP: Color
You’ve spent a ton of time color grading your film so that it has a particular look. Now it’s time to make sure that the audience sees the…
Things to Consider Before Making a DCP: Audio
Sound is a huge part of how we experience films in the theater, so it’s really important to have some understanding of how audio works in…
Things to Consider Before Making a DCP: Aspect Ratio & Frame Size
Aspect ratio is a fancy term for the width-to-height ratio of an image. This ratio is important for a variety of reasons, but when it…
Things to Consider Before Making a DCP: Frame Rate
Digital Cinema Packages (DCPs) mark the full convergence of film and video. Now that you can create digital deliverables for television…
The Mysterious Two Pop Explained
Cinematiq’s Source Material Specs specify that all films submitted for DCP authoring need to have visual and audible two and tail pops. If…
DCP Drive Formats
EXT2, NTFS, and HFS+, OH MY!
A Filmmakers Intro to DCP
There have been a lot of articles written about exactly what a DCP is, but here at Cinematiq, we still get asked the question all the time…
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